Part of this failure was HBO’s fault. While the runtimes were extended over an hour for nearly every episode of Game of Thrones, there still wasn’t enough for the writing team to work with. The series always liked to use big lead-ups to build tension and make the last episodes of each season shine. Without that middle area, the conclusion didn’t receive the respect it deserved and the plot choices were made irrelevant. No storyline would have worked within the timeframe it was given.
Netflix has seemingly given Stranger Things a lot more creative liberty than HBO gave Game of Thrones. There will be the usual eight episodes in the final season, which is the same number as in the previous ones (though season 2 and season 4 each had one extra episode). Maya Hawke (who plays Robin) said in an interview that each episode will be equal to a movie, both in runtime and scope. While we could argue all day about the merits of TV becoming more like cinema and whether it is a good or a bad thing for the medium, one thing is for certain: Stranger Things is being given plenty of time here. If the creative team can’t find the right pacing of the final season, it won’t be because they had a lack of resources.
Stay True to The Characters
The shortened final season of Game of Thrones made it hard for character motivations to make sense. The most controversial ending was obviously Daenerys’. Fans of the Breaker of Chains were shell-shocked when the self-proclaimed heir to the Iron Throne turned into Westeros’ version of John Leonard Orr. Dany the arsonist was not on the Game of Thrones bingo card after seven seasons of her being a merciful queen. This wasn’t the only knee-jerk juxtaposition the writers enacted. Jon Snow (Kit Harington) went from an Aragorn-ish ass-kicker to a whimpering warrior who wandered the wastelands of battlefields throughout the show’s biggest scenes. It made fans sad that the people writing the scripts seemed to have lost track of their characters’ motivations and moral codes.
Stranger Things’ biggest strength is its heroic cast of characters, featuring an impressive mix of adults and teenagers working in unison to save a sleepy Midwestern town from the supernatural. The series’ core has always been the moral high ground of its protagonists. With that comes one of the strongest connections between a set of characters and fans in TV history. The people writing for Stranger Things must closely analyze what makes each of these people tick before closing their stories. Understanding this consistency and aligning the finish with what has been hinted at in the first four seasons should allow the Hawkins crew to close their book on a satisfactory note.
Don’t Turn Stranger Things Into World War III
We all love a good Game of Thrones battle scene, but the length and quantity of war sequences in season 8 went a little too far. The series was a people-led drama for seven seasons that crafted intricate interpersonal and familial conflicts, and the violence worked well in conjunction with verbal sparring and backstabbing. The final affair dedicated so much time to armies marching against each other that many fans felt they were watching a Michael Bay summer popcorn flick instead of the more intimate human spectacle they were accustomed to.
